{"id":2230,"date":"2022-01-21T13:30:00","date_gmt":"2022-01-21T13:30:00","guid":{"rendered":"https:\/\/uxsingh.com\/backupneha\/bad-women-of-bombay-films-studies-in-desire-and-anxiety\/"},"modified":"2023-09-08T09:12:33","modified_gmt":"2023-09-08T09:12:33","slug":"bad-women-of-bombay-films-studies-in-desire-and-anxiety","status":"publish","type":"post","link":"https:\/\/nehadixit.in\/bad-women-of-bombay-films-studies-in-desire-and-anxiety\/","title":{"rendered":"&#8216;Bad&#8217; Women of Bombay Films: Studies in Desire and Anxiety"},"content":{"rendered":"<p>&nbsp;<\/p>\n<div style=\"clear: both; text-align: center;\"><a style=\"margin-left: 1em; margin-right: 1em;\" href=\"https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEiv_7B_Y9b7NUSqCCVbgvODgdD7ahhwZAjBBOO3x9LTfXby6mstIXmFTLiFGhUFBm_Ko2Y_h4AroYr_oOhYPGlv2rXCTqxJHMHkcQV9Xui_GcHHYL9wdpUF2UJ0eovWw96gvPCOEsNcbhtmt1AUWk_A6XX7XI4Qa9v7JALW7E9FMPkzKUxtG_7Tz33u3g=s429\"><img loading=\"lazy\" decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEiv_7B_Y9b7NUSqCCVbgvODgdD7ahhwZAjBBOO3x9LTfXby6mstIXmFTLiFGhUFBm_Ko2Y_h4AroYr_oOhYPGlv2rXCTqxJHMHkcQV9Xui_GcHHYL9wdpUF2UJ0eovWw96gvPCOEsNcbhtmt1AUWk_A6XX7XI4Qa9v7JALW7E9FMPkzKUxtG_7Tz33u3g=w456-h640\" width=\"456\" height=\"640\" border=\"0\" data-original-height=\"429\" data-original-width=\"306\" class=\"lazyload\" \/><\/a><\/div>\n<p>&nbsp;<\/p>\n<ul style=\"box-sizing: border-box; caret-color: #333333; color: #333333; letter-spacing: 0.23800000548362732px; list-style: none; margin: 0px; padding: 0px;\">\n<li style=\"box-sizing: border-box; margin: 0px 0px 8px; padding: 0px;\">\n<p style=\"box-sizing: border-box; display: inline;\"><span style=\"font-family: inherit;\">Details the history of desire and anxiety underlying the cinematic representation of the modern &#8220;Indian&#8221; woman<\/span><\/p>\n<\/li>\n<li style=\"box-sizing: border-box; margin: 0px 0px 8px; padding: 0px;\">\n<p style=\"box-sizing: border-box; display: inline;\"><span style=\"font-family: inherit;\">Interrogates the ideological representation of women in cinema\u2014the changing images as well as the enduring prototypes\u2014and their relationship with social and material histories<\/span><\/p>\n<\/li>\n<li style=\"box-sizing: border-box; margin: 0px 0px 8px; padding: 0px;\">\n<p style=\"box-sizing: border-box; display: inline;\"><span style=\"font-family: inherit;\">Examines the politics of female desire\/s from the 1930s till the present times\u2014both, through in-depth analyses of single films and the tracing of typologies in multiple films<\/span><\/p>\n<\/li>\n<\/ul>\n<div><span style=\"color: #333333; font-family: inherit;\"><span style=\"caret-color: #333333; letter-spacing: 0.23800000548362732px;\">\u00a0<\/span><\/span><\/div>\n<div><span style=\"font-family: inherit;\"><span style=\"color: #333333;\"><span style=\"caret-color: #333333; letter-spacing: 0.23800000548362732px;\">Neha&#8217;s piece:\u00a0<\/span><\/span>Outcast[e]\/Outlawed:\u00a0<em style=\"box-sizing: border-box;\">The Bandit Queen<\/em>\u00a0(1996)<\/span><\/div>\n<div><span style=\"font-family: inherit;\">\u00a0<\/span><\/div>\n<div>\n<p><span style=\"font-family: inherit;\">Edited by\u00a0<\/span><\/p>\n<ul>\n<li style=\"box-sizing: border-box; caret-color: #333333; color: #333333; display: inline-block; vertical-align: middle; padding: 4px !important 0px 4px !important 0px; margin: 0px 0px 2px !important 0px;\"><span style=\"box-sizing: border-box;\">Saswati\u00a0Sengupta,\u00a0<\/span><\/li>\n<li style=\"box-sizing: border-box; caret-color: #333333; color: #333333; display: inline-block; vertical-align: middle; padding: 4px !important 0px 4px !important 0px; margin: 0px 0px 2px !important 0px;\"><span style=\"box-sizing: border-box;\">Shampa\u00a0Roy,\u00a0<\/span><\/li>\n<li style=\"box-sizing: border-box; caret-color: #333333; color: #333333; display: inline-block; vertical-align: middle; padding: 4px !important 0px 4px !important 0px; margin: 0px 0px 2px !important 0px;\"><span style=\"box-sizing: border-box;\">Sharmila\u00a0Purkayastha<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<div style=\"box-sizing: border-box; caret-color: #333333; color: #333333; line-height: 1.4; margin-bottom: 4px;\" data-test=\"author-text\"><span style=\"font-family: inherit;\">Publisher: Palgrave Macmillan<\/span><\/div>\n<div style=\"box-sizing: border-box; caret-color: #333333; color: #333333; line-height: 1.4; margin-bottom: 4px;\" data-test=\"author-text\"><span style=\"font-family: inherit;\">Publishing date: 2019<\/span><\/div>\n<div style=\"box-sizing: border-box; caret-color: #333333; color: #333333; line-height: 1.4; margin-bottom: 4px;\" data-test=\"author-text\"><span style=\"font-family: inherit;\">Buy <a href=\"https:\/\/link.springer.com\/book\/10.1007\/978-3-030-26788-9\">here\u00a0<\/a><\/span><\/div>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; Details the history of desire and anxiety underlying the cinematic representation of the modern &#8220;Indian&#8221; woman Interrogates the ideological representation of women in cinema\u2014the changing images as well as the enduring prototypes\u2014and their relationship with social and material histories Examines the politics of female desire\/s from the 1930s till the present times\u2014both, through&hellip;<\/p>\n","protected":false},"author":2,"featured_media":3063,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"footnotes":""},"categories":[475,114],"tags":[],"thb-sponsors":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>&#039;Bad&#039; 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